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Day 71 – Risking it all for the blog (via In Search of Style)

29 Mar

I found this photo striking and wanted to share it on Artopia 444.

Chase

Day 71 - Risking it all for the blog Despite appearances, the heritage theme continues. No historical facts today though as this is the High Level Bridge again – if you're interested in when it was built, browse back a couple of days to Day 69. I like this shot as much or more than the first one I posted so I couldn't resist including this one too, especially since it's so different from my previous shot of the bridge. I might have been exaggerating a little with the blog title toda … Read More

via In Search of Style

1940s Sex Symbol and Brunette Bombshell Jane Russell Dies at 89

28 Feb

Copyright 2011-3011 By Artopia 444, All Rights Reserved. Cited article text Copyright Associated Press.



Jane Russell, the busty brunette who shot to fame as the sexy star of Howard Hughes‘ 1941 Western “The Outlaw,” died Monday of respiratory failure, her family said. She was 89.

Although Russell largely retired from Hollywood after her final film, 1970’s “Darker Than Amber,” she had remained active in her church, with charitable organizations and with a local singing group until her health began to decline just a couple weeks ago, said her daughter-in-law, Etta Waterfield. She died at her home in Santa Maria.

“She always said I’m going to die in the saddle, I’m not going to sit at home and become an old woman,” Waterfield told The Associated Press. “And that’s exactly what she did, she died in the saddle.”

Video: Hollywood legend Jane Russell dies (on this page)

Hughes, the eccentric billionaire, put her onto the path to stardom when he cast her in “The Outlaw,” a film he fought with censors for nearly a decade to get into wide release.

With her sultry look and glowing sexuality, Russell became a star before she was ever seen by a wide movie audience. The Hughes publicity mill ground out photos of the beauty in low-cut costumes and swim suits, and she became famous, especially as a pinup for World War II GIs.

Then in 1948 she starred opposite Bob Hope in the box-office hit, “The Paleface,” a comedy-western in which Russell was tough-but-sexy Calamity Jane to Hope’s cowardly dentist.

Although her look and her hourglass figure made her the subject of numerous nightclub jokes, unlike Marilyn Monroe, Rita Hayworth and other pinup queens of the era, Russell was untouched by scandal in her personal life. During her Hollywood career she was married to star UCLA and pro football quarterback Bob Waterfield.

“The Outlaw,” although it established her reputation, was beset with trouble from the beginning. Director Howard Hawks, one of Hollywood’s most eminent and autocratic filmmakers, rankled under producer Hughes’ constant suggestions and finally walked out.

“Hughes directed the whole picture — for nine bloody months!” Russell said in 1999.

The film’s rambling, fictional plot featured Russell as a friend of Billy the Kid as he tussles with Doc Holliday and Sheriff Pat Garrett.

It had scattered brief runs in the 1940s, earning scathing reviews. The Los Angeles Times called it “one of the weirdest Western pictures that ever unreeled before the public.”

But Hughes made sure no one overlooked his No. 1 star. The designer of the famous “Spruce Goose” airplane used his engineering skills to make Russell a special bra (which she said she never wore) and he bought the ailing RKO film studio to turn it into a vehicle for her.

Wisely, he also loaned her to Paramount to make “The Paleface,” because at RKO she starred in a series of potboilers such as “His Kind of Woman” (with Robert Mitchum), “Double Dynamite” (Frank Sinatra, Groucho Marx), “The Las Vegas Story” (Victor Mature) and “Macao” (Mitchum again).

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Hughes had rewarded her with a unique 20-year contract paying $1,000 a week, then he sold RKO and quit making movies. Russell continued receiving the weekly fee, but never made another film for Hughes.

Her only other notable film was “Gentlemen Prefer Blondes,” a 1953 musical based on the novel by Anita Loos. She and Monroe teamed up to sing “Two Little Girls From Little Rock” and seek romance in Paris.

At a 2001 film festival appearance, Russell noted that Monroe was five years younger, saying, “It was like working with a little sister.”

She followed that up with the 1954 musical “The French Line,” which like “Gentlemen Prefer Blondes” had her cavorting on an ocean liner. The film was shot in 3-D, and the promotional campaign for it proclaimed “J.R. in 3D. Need we say more?”

In 1955, she made the sequel “Gentlemen Marry Brunettes” (without Monroe) and starred in the Westerns “The Tall Men,” with Clark Gable, and “Foxfire,” with Jeff Chandler. But by the 1960s, her film career had faded.

“Why did I quit movies?” she remarked in 1999. “Because I was getting too old! You couldn’t go on acting in those years if you were an actress over 30.”

She continued to appear in nightclubs, television and musical theater, including a stint on Broadway in Stephen Sondheim‘s “Company.” She formed a singing group with Connie Haines and Beryl Davis, and they made records of gospel songs.

For many years she served as TV spokeswoman for Playtex bras, and in the 1980s she made a few guest appearances in the TV series “The Yellow Rose.”

She was born Ernestine Jane Geraldine Russell on June 21, 1921, in Bemidji, Minn., and the family later moved to the San Fernando Valley in Los Angeles. Her mother was a lay preacher, and she encouraged the family to build a chapel in their back yard.

Despite her mother’s Christian preachings, young Jane had a wild side. She wrote in her 1985 autobiography, “My Paths and Detours,” that during high school she had a back-alley abortion, which may have rendered her unable to bear children.

Her early ambition was to design clothes and houses, but that was postponed until her later years. While working as a receptionist, she was spotted by a movie agent who submitted her photos to Hughes, and she was summoned for a test with Hawks, who was to direct “The Outlaw.”

“There were a lot of other unknowns who were being tested that day,” she recalled in a 1999 Associated Press interview. “I figured Jack Beutel was going to be chosen to play Billy the Kid, so I insisted on being tested with him.”

Both were cast, and three months would pass before she met Hughes. The producer was famous for dating his discoveries as well as numerous Hollywood actresses, but his contract with Russell remained strictly business. Her engagement and 1943 marriage to Waterfield assured that.

She was the leader of the Hollywood Christian Group, a cluster of film people who gathered for Bible study and good works. After experiencing problems in adopting her three children, she founded World Adoption International Agency, which has helped facilitate adoptions of more than 40,000 children from overseas.

She made hundreds of appearances for WAIF and served on the board for 40 years.

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As she related in “My Path and Detours,” her life was marked by heartache. Her 24-year marriage to Waterfield ended in bitter divorce in 1968. They had adopted two boys and a girl.

That year she married actor Roger Barrett; three months later he died of a heart attack. In 1978 she married developer John Peoples, and they lived in Sedona, Ariz., and later, Santa Barbara. He died in 1999 of heart failure.

Over the years Russell was also beset by alcoholism.

Always she was able to rebound from troubles by relying on lessons she learned from her Bible-preaching mother.

“Without faith, I never would have made it,” she commented a few months after her third husband’s death. “I don’t know how people can survive all the disasters in their lives if they don’t have any faith, if they don’t know the Lord loves them and cares about them and has another plan.”

Survivors include her children, Thomas K. Waterfield, Tracy Foundas and Robert “Buck” Waterfield, six grandchildren and 10 great-grandchildren.

A public funeral is scheduled March 12 at 11 a.m. at Pacific Christian Church in Santa Maria.

In lieu of flowers the family asks that donations be made in her name to either the Care Net Pregnancy and Resource Center of Santa Maria or the Court Appointed Special Advocates of Santa Barbara County.

© 2011 The Associated Press.

On October 8th 2008 Someone in America Wanted a “V” Revolution: Video Artifact

22 Feb

Copyright 2011-3011 Artopia 444, All Rights Reserved.

I have been researching the far reaching effects of the motion picture film from 2005, “V Is For Vendetta.” I located an unusual video clip from 2008 in which an unknown V wannabe tries to convince Americans to vote for a third party [just anyone] and therefore throw away their vote. Interesting, huh? Four years later this same fictional movie character has inspired an Islamic Revolution in the Mideast. 2011 is destined to be the year of events transpiring that no one ever imagined would, or could transpire.

I’ve included several more video clips along this theme that I found to be either entertaining, tragic, intriguing, troubling or some combination of all.

3 Hollywood Deaths in One Week: Dead Sex Kittens, Farewell to 3 Icons of Film Eroticism

10 Feb
Faster, Pussycat! Kill! Kill!

Image via Wikipedia

Copyright 2011-3011 By Chase Kyla Hunter, All Rights Reserved. Writer’s Copyright Displayed.

Farewell to Three Stunning Icons of Movie Eroticism

Article By Richard Corliss, Copyright Richard Corliss

Dead: Maria Schneider, 58, in Paris on Thursday; Lena Nyman, 66, in Stockholm, and Tura Satana, 72 (or maybe 75), in Reno on Friday

A trio of movie actresses died within a day of one another last week: Maria Schneider, 58, in Paris on Thursday; Lena Nyman, 66, in Stockholm, and Tura Satana, 72 (or maybe 75), in Reno on Friday. Each was known mainly for a single film, and the three could be written off as one-hit wonders, except that the films they starred in — Satana in Russ Meyer‘s 1965 Faster, Pussycat! Kill! Kill!, Nyman in Vilgot Sjöman‘s 1967 I Am Curious (Yellow) and Schneider in Bernardo Bertolucci‘s 1972 Last Tango in Paris — stand today as monuments to cinema’s wildest and most adventurous decade.

Remembering Maria Schneider:

In the Vietnam era, which saw the toppling of so many social standards, these actresses gave face and especially form to a seismic, worldwide change in movies, when suddenly everything could be said and shown. They provided a view of the bold, confrontational, sexually liberated woman — from the perspective, that is, of the avid, controlling men behind the camera and in the audience. (Read TIME’s cover story on the shadow of Vietnam.)

Remembering Lena Nyman:

In the mid- to late 1960s, as young America exploded in opposition to the Vietnam engagement, and French youth shut down their country in the manifestations of May ’68, a cultural revolution was brewing in movies. Just a few years before, U.S. jurisdictions had banned films showing an unseemly amount of skin; in 1964 Lenny Bruce was convicted of obscenity. The Hollywood factory was still grinding out family films starring Doris Day, Jerry Lewis and Elvis Presley, and handing out Oscars to the likes of The Sound of Music and Oliver!. But in corners of the cinema world some directors threw out the play book that had held since the coming of talking pictures in the 1920s.

Remembering Tura Satana:

The new rule was that there were no rules; movies could spout obscenities, show nudity and copulation, operate under the same freedoms that applied to artists in any other medium. Within a decade, every movie outrage that had been a crime became the Hollywood norm, and hard-core pornography was both public and chic. (See the Best and Worst Super Bowl Commercials of 2011.)

Tura Satana
The filmmakers who shattered the old icons came from two different directions: up from the grindhouse and over from the art house. Meyer, a combat cameraman in World War II and then a cheesecake photographer (his portrait of his wife Eve was used as an early Playboy centerfold), graduated to feature films with the 1959 nudie-cutie The Immoral Mr. Teas, which was made for $24,000 and grossed more than $1 million. Within a few years Meyer had ditched the color comedy genre for mad melodrama in monochrome: epics like Common Law Cabin, Mudhoney and Motor Psycho, all featuring convoluted plots, ripe dialogue and riper starlets. Deemed disposable drive-in fodder on their first release, they quickly found adherents among film critics and proto-fanboys, and in 1969 Meyer was hired by a major studio, 20th Century-Fox, to direct Beyond the Valley of the Dolls from a script by one of his young critical admirers, Roger Ebert.

Tura Satana in Faster Pussycat! Kill! Kill!

Faster, Pussycat! Kill! Kill! — the title encapsulates Meyer’s tripartite vision of movies: speed, babes and violence — has plenty of those commodities, but, surprise, no nudity. Its narrative tone, though, is lurid to the max. The movie follows three strippers, led by Satana as Varna, who love racing their cars on the California salt flats. They race one guy who’s brought his girlfriend along; uber-tough Varna gets into a fight with the guy, snaps his spine and kills him and takes the girl as a hostage. Hearing of a rich coot (Stuart Lancaster) with a hidden fortune, Varna and the three women pay him a visit, only to discover that he’s as crazy and ruthless as they are. But the old man is accurate enough in his appraisal of Varna. “She’s a cold one, all right,” the coot says. “More stallion than mare. There’s too much for one man to handle.”

Jack Black: “Who Wants to Pray to the Devil With Me?” 2009 MTV Music Awards

2 Jan

Jack Black in November 2007

Copyright 01.02.2011 Reposted courtesy ofArtopia444.wordpress.com

I am currently examining satanic and totalitarian imagery in the American music industry. There is nothing hidden or even secretive about the satanic imagery in most pop music videos, especially videos made by Lady Gaga and Beyonce. I am also pretty suspicious of Taylor Swift‘s odd hand signs and some of her garments and poses, but this post will focus on Jack Black, Beyonce and Lady Gaga.

Here’s an example of what I am saying. Nothing is hidden or veiled any longer about the goals and motives of the music industry in America. Jack Black‘s actions at the 2009 MTV Music Awards set a new “low bar” for public behavior, and I am stunned I have not seen more media articles about this.

Veiled as comedy, during the 2009 MTV Music Awards,Jack Black took the stage, raised his arms, flashed the Illuminati Satan sign with both hands, and then shouted out and invited the entire audience to ” pray to the devil” with him. I did NOT find this very funny.

In fact, I found it to be quite disturbing. Indoctrination and dark occult initiation can be hidden by the apparent mindlessness of contemporary entertainment, even in apparent comedy.

In fact, as I study various popular TV sitcoms, I often see re-occurring instances of entertainment and comedy being used as a way to introduce hypnotic occult suggestions, initiation rites, fascist or totalitarian thought forms, and all sorst of other dark and ungodly imagery that is, in fact, on some level, socially engineering  an unsuspecting viewer to think that these kinds of displays are innocent and benign, when they are not.

There is nothing innocent or socially benign about the slow and methodical process of “normalizing” these public displays of satanic hand signs, symbols, occult phrases and images peppered into the mix of pop culture’s music industry. There fact that there is a more or less total absence of public outcry about any of this tells me where we now are in the degradation of American Christian culture and values. We are now headed headlong down the final free-fall into all-out public presentations which are not simply veiled and hidden, they will be open and overt displays of satanic worship, disguised as concerts. Perhaps this is already happening and I just haven’t seen it yet. What I have seen is enough to horrify my soul.

I don’t expect anyone else to believe this, but the following videos which have been noted and posted by other truth researchers suggest that I am not alone in thinking that something is very very wrong, and very very evil deep inside the American Hollywood music and entertainment industry. Here are some of the videos that I studied this evening:

To learn more about the hidden illuminati control and influence in the modern music industry read this article I just wrote 2 weeks ago and updated tonight. When you see images of butterflies in videos, especially of Monarch butterflies, you are seeing Illuminati mind control programmed people acting on their “Monarch” programming. The image below is an example:

In this next image Beyonce is wearing a breastplate emblazoned with a goat’s head image that is practically identical to images of Baphomet, the ancient Goat-head image of Satan:

There are literally countless images of music artists like Beyonce flashing the Illuminati Satanic hand sign, I found this one particularly disgusting because of the way she’s dressed. I perceive Beyonce to be a Satanic priestess, only thinly disguised as a [fake] Christian. When she talks about how involved she has been with the church I get a somewhat nauseous feeling. Beyonce’s music video imagery is literally drenched in satanic symbolism. It’s not hidden at all. It’s right out there, front and center. Here are a few more things I have noted. They are mostly self-explanatory, if you are familiar with occult and Illuminati symbolism.

One of the creepiest things I have had to listen to do write this post is the reversed sound track to Beyonce’s “Single Ladies” music video. I would swear that the music in reverse sounds like some sort of demonic incantations or a demonic language.  I did not like the way this made me feel. Take a listen and see what you can decipher from this – [warning graphic]:

Satanic imagery in Lady Gaga music videos:

Tags: illuminati satanic imagery, american music industry, fascism images, totalitarianism, police state, Hollywood, occult symbols in music film video, occult initiation hidden in pop culture

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Three Years in the Slammer for Wesley Snipes

28 Nov

11.28.2010 Re-post By CK Hunter

Wesley Snipes Surrenders in Advance of Three-Year Prison Term

Wesley Snipes Surrenders in Advance of Three-Year Prison Term

Looks like Wesley Snipes’s take on J. Edgar Hoover might have to wait a while. TMZ reports that the 48-year-old actor has surrendered himself to authorities and is in transit to a federal prison to begin serving out his three-year sentence for federal tax evasion. “The defendant Snipes had a fair trial,” said U.S. District Judge Terrell Hodges in his ruling, which rejected Snipes’s last-minute request for a new hearing. “He has had a full, fair and thorough review of his conviction and sentence by the Court of Appeal; and he has had a full, fair and thorough review of his present claims, during all of which he has remained at liberty. The time has come for the judgment to be enforced.” [TMZ, E!]

Top Live Streaming Web Cams 2010

20 Nov

5 Solid Reasons You Should Run Like Hell From Facebook’s New Email Messaging System

20 Nov
Image representing Facebook as depicted in Cru...

Image via CrunchBase

Copyright 2010-3010 By CK Hunter. Re-posts granted leaving essay intact only.

I written before about the creepy CIA and NCS [National Clandestine Service] connections to Mark Zuckerberg‘s neo-Orwellian Facebook empire. But just in case you have not been made aware, have a look at these historical items before you read on:

Facebook Messages: The Worst Thing That Ever Happened

Facebook Gone Bad:

 


Why You Should Run Like Hell from Facebook Messaging:

1. You cannot delete Facebook messages. Stop and ponder the horrific consequences just for one moment. Drunken opinionated thought orgies, changing your politics, irate rants about your spouse, boss, about religion, atheism, about ANYTHING are archived forever in the Orwellian bowels of Facebook and may be used in some future that we have not yet imagined to socially typecast, identify, prosecute, or otherwise harm or legally call you out, when 3, 5, or 10 years have passed and yiou havce long since left those obsolete opinions behind. This one fact should stop every intelligent Facebook user dead in their tracks, and make them genuinely take pause. It’s just exactly like being pulled over by the police when you were sure you were doing nothing wrong. Suddenly anything you do or say might just be used against you later in a court of law. You won’t know until you regretably say it, and you cannot call it back, not ever. Anyone who has ever mouthed off at a tired irritated police officer, and then later got the shit kiced out of them for it, should understand what I am saying here. If there was ever a moment to read between the lines, this is that moment. Call me alarmist, call me a wing nut, I DON’T CARE. I am warning young Americans and everyone else who uses Facebook, this fact alone makes it crystal clear to me that Facebook is not much more than a cleverly disguised social surveillance tool, and an emerging format for international politically correct thought police to call out people they want to target using their own words of years gone by to indict them with.

2. Locating individual emails or messages will be complicated and tedious in that: all of your communications with any one person will be bundled into one GIANT thread of e-mail, text, and chat communication. This also just happens to be very convenient for the FED should that moment ever arise that the FED wanted to examine and investigate every conversation you ever had with one of your more politically radical tea party buddies, whose tactics you might not agree with, but nonetheless, there it is for all of USA Big Brother’s eyes to see… 5 years of unbroken threads of dialogue between you and “firehose Sam” who you emailed off and on for a few years, then moved on. You won’t be able to go in and selectively delete those uncomfortable conversations you had with “Firehose Sam” about why he should not instigate whatever. Everything, the texts, emails, and chat items, that you exchanged with “Firehose Sam” will be bundled into one huge hairball that you cannot go in and selectively edit and delete later. This is yet another breach of personal privacy and can be damning to innocent Facebook users in years to come in ways that we cannot or do not wish to imagine at this time.

3. Whenever you send someone one email, text or chat message, they are automatically granted access to your entire Facebook account. The best analogy for this might be you answer the doorbell at home, the newspaper boy hands you your daily newspaper, and to thank him, you force him to take a guided tour of every room in your home and then hand him the house keys. No one in their right mind would ever do this, right? But Facebook users do it every day when they email someone who is not on Facebook, invite them to look at some posted photos, then the recipient must actually join Facebook (thus procuring access to your own Facebook page)in order  to view the photos. It’s Orwellian, it’s creepy, it’s way too mandatory, it’s unintelligent and unnecessary. Ever heard of email attachments? Just email over the photos from your regular email program as embedded attachments, and the recipient can, with one click, enjoy looking at the photos inside their own email in-box, and leave Facebook out of it. It’s more intelligent and it protects everyone’s privacy, and their fundamental right NOT to be forced to join the ongoing crazy Facebook party.

4. In order to make your Facebook account completely private, you will need to click-through 50 buttons and either select or deselect more than 170 other options as of 11/20/2010. This can change at any time, and assuming Facebook will continue to further complicate its own “privacy policy” frequently, you can assume that in the future, it will become so intentionally complex and time-consuming to alter your privacy settings, you can pretty much be assured that most people who are busy, will give up and use the Facebook defaults, allowing all kinds of third-party websites and companies to continuously datamine their account content. Facebook will continue to outsmart it’s smartest users in the future, when privacy laws in the USA will have been altered as the USA itself becomes politically altered and merged even more deeply into the North American Union. See the video clip below:

5. Watch these videos below:

If you think your Facebook account is secure, you are woefully uninformed about how sophisticated the hackers are in data-mining Facebook for their own purposes. Let’s use simple third grade logic. If hackers can do all of the above, then just assume that the CIA, FBI, NCS, NSA and so forth can and will do 100% more than that in order to investigate you, at any time, for any reason, without a warrant or a court order, without your knowledge or consent,just by using Facebook.

Chase Kyla Hunter

Don’t Touch My Junk & Don’t Dismantle My DNA

16 Nov

Copyright 11/16/2010 By CK Hunter

The department of Homeland Security has now fully coalesced into America‘s own Orwellian brute force nanny-state. Americans have every right to be outraged by the way too touchy feely process of the new body pat-down they are now subjected to in order to board an airplane.

The science of the situation will make one even more furious. Apparently the type of waves that are generated when the full body scan is performed have been discovered to alter and shred the integrity of DNA.

This begs the question: Will the new full body scan technology eventually make people sterile? If this was known, has the new world order maniacal hidden crime cabal now gone so far as to attempt to implement a so called “security technology” that will eventually guarantee that more and more frequent fliers who pass through full body scans may in fact, have fewer and fewer babies?

All the insiders who are truth researchers well know that population reduction is #1 on the hidden global elite’s list of heinous things they want to continue to do the world population. Is this part of their plan?

Read the article and view  supporting videos below.

Chase Kyla Hunter

How Terahertz Waves Tear Apart DNA [Published 10/30/2009 by MIT‘s Technology Review]

A new model of the way the THz waves interact with DNA explains how the damage is done and why evidence has been so hard to gather

kfc 10/30/2009

Great things are expected of terahertz waves, the radiation that fills the slot in the electromagnetic spectrum between microwaves and the infrared. Terahertz waves pass through non-conducting materials such as clothes , paper, wood and brick and so cameras sensitive to them can peer inside envelopes, into living rooms and “frisk” people at distance.

The way terahertz waves are absorbed and emitted can also be used to determine the chemical composition of a material. And even though they don’t travel far inside the body, there is great hope that the waves can be used to spot tumours near the surface of the skin.

With all that potential, it’s no wonder that research on terahertz waves has exploded in the last ten years or so.

But what of the health effects of terahertz waves? At first glance, it’s easy to dismiss any notion that they can be damaging. Terahertz photons are not energetic enough to break chemical bonds or ionise atoms or molecules, the chief reasons why higher energy photons such as x-rays and UV rays are so bad for us. But could there be another mechanism at work?

The evidence that terahertz radiation damages biological systems is mixed. “Some studies reported significant genetic damage while others, although similar, showed none,” say Boian Alexandrov at the Center for Nonlinear Studies at Los Alamos National Laboratory in New Mexico and a few buddies. Now these guys think they know why.

Alexandrov and co have created a model to investigate how THz fields interact with double-stranded DNA and what they’ve found is remarkable. They say that although the forces generated are tiny, resonant effects allow THz waves to unzip double-stranded DNA, creating bubbles in the double strand that could significantly interfere with processes such as gene expression and DNA replication. That’s a jaw dropping conclusion.

And it also explains why the evidence has been so hard to garner. Ordinary resonant effects are not powerful enough to do do this kind of damage but nonlinear resonances can. These nonlinear instabilities are much less likely to form which explains why the character of THz genotoxic
effects are probabilistic rather than deterministic, say the team.

This should set the cat among the pigeons. Of course, terahertz waves are a natural part of environment, just like visible and infrared light. But a new generation of cameras are set to appear that not only record terahertz waves but also bombard us with them. And if our exposure is set to increase, the question that urgently needs answering is what level of terahertz exposure is safe.

Ref: arxiv.org/abs/0910.5294: DNA Breathing Dynamics in the Presence of a Terahertz Field

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Benjamin Creme Lies About Jesus Christ in Bill Maher TV Interview

23 Jun

6.22.2010 Video posted by CK Hunter

Tags: Benjmain Creme false prophet, antichrist maitreya, world spiritual deception, end times phenomena, world apostasy, son of perdition, antichrist, bill mayer tv interviews, father of lies, false world teacher maitreya

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